| 1959 | Born in England |
| 1980 | Goldsmiths College, BA (Hons) Fine Art, London, England |
| 1981 | Chelsea School of Art, MA Fine Art, London, England |
Solo Exhibition |
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| 2009 | Have nothing in your houses that you do not know to be useful, or believe to be beautiful Leo Kamen Gallery, Toronto, Canada |
| 2008 | A Miniature Retrospective and Rhythm 69, Jugendstilsenteret/Kunstmuseet Kube, Alesund, Norway |
| 2007 | The Rotting Fruits of Revolution. Leo Kamen Gallery, Toronto, Canada |
| 2006 | Art into Everyday Life, Contemporary Art Centre, Vilnius. Smash the Bourgeoisie! Victory to the Decorating Business! Leo Kamen Gallery, Toronto, Canada |
| 2005 | Morris in Jaipur: The work of Art in the Context of Hand-made Reproduction, Mandawa Haveli, Jaipur, part of Jaipur Heritage International Festival, touring to The Queens Gallery, The British Council, New Delhi, India |
| 2004 | Useless Work Versus Useless Toil, Leo Kamen Gallery, Toronto, Canada |
| 2003 | A Factory As It Might Be or The Hall Of Flowers, Art Gallery of Windsor, Ontario, Canada The Hall of the Modern, The Economist, London, England |
| 2000 | Canada is for idiots, you need class war, Latitude 53, Edmonton The Decorating Business, Oakville Galleries, Ontario, Canada |
| Group Exhibitions | |
| 2010 | Walls Are Talking: Wallpaper, Art and Culture, Whitworth Art Gallery, Manchester, U.K. |
| 2009 | 4x4, Four Galleries, Four Exhibitions, The Bluecoat, Liverpool, U.K. Mongrel Love, Leo Kamen Gallery, Toronto, Canada |
| 2008 | Commodity Form, Golden Thread Gallery, Belfast and The Dock, Ireland |
| 2007 | New Recent Additions to the Art Collection, Paisley Museum and Art Galleries. Paisley Winter Salon, Temple Bar Gallery, Dublin, Ireland |
| 2006 | Modern Lovers, Three Colt Gallery, London, England John Moores 24, Walker Art Gallery, Liverpool, part of the Liverpool Biennial, U.K. Unwrapped! Cuming Museum, London, England |
| 2005 | 2005 There is Always an Alternative, Temporarycontemporary, London and The International 3, Manchester, England Gallery Artists, Leo Kamen Gallery, Toronto, Canada Transmission Portfolio, Haus Am Lutzowplatz, Berlin, Germany and Redux, London, England, Anokhi Museum of Hand Printing, Amber, Jaipur. Turn to the Left, 291 Gallery, London, England Ex Roma, APT Gallery, London, England |
| 2004 | Wish You Were Here Part 2, Waygood Gallery, Newcastle, Art Futures 2004, London, Organised by the Contemporary Art Society. The Sneeze, Gazon Rouge Gallery, Athens, Greece touring to Iziko South African National Gallery, Cape Town, Durban Art Gallery, Albany History Museum, Grahamstown, Substation, Wits School of Arts, Johannesburg and Reed Gallery, Cincinnati. Spotlight on the Collection, David Mabb ‘Fruit’, Oakville Galleries, Ontario. Art Textiles 3, Bury St Edmunds Art Gallery touring to Edinburgh City art Centre, Aberdeen Art Gallery and Museum, Rugby Museum and Art Gallery, Artsway, Sway, Hampshire, Harley Gallery, Worksop, Devon, Guild of Craftsmen, Bovey Tracey. Inter… Harris Museum and Art Gallery, Preston |
| 2003 | Fine Arts, British School at Rome, Rome, Italy Science Fiction, Double Feature, Margaret Street Gallery, Birmingham. Sample, Williamson Art Gallery, Birkenhead touring to the Dutch Textile Museum, Tilburg, The Netherlands, Hall Place, Bexley |
| 2002 | Sidewinder, Centre for International Modern Art Gallery, Calcutta, touring to Habitat Centre, New Delhi, and Coomaraswarmy Hall, Mumbai, India, curated by Gerard Hemsworth. Showhouse, Pittshanger Manor and Gallery, London, England Pattern Crazy, Crafts Council Gallery, London, England Blow up your TV, York City Art Gallery, York as part of SightSonic 2002. Fabric: Reinterpreting The House, Abbot Hall Art Gallery, Kendal. Kinofilm Festival, Cornerhouse, Manchester, England Critical Home Video, Artspace, Peterborough, Canada touring to Govett-Brewster Art Gallery Contemporary Art Museum, New Plymouth, New Zealand and Latitude 53, Edmonton. Further Up In The Air, Linosa Close, Liverpool, as part of the Liverpool Biennale |
| 2001 | East of Eden, Spacex Gallery, Exeter. Moving, 72 Balls Pond Road, London, England Critical Video Lounge, York City Art Gallery, York as part of SightSonic Enter, Villa Kunstsiftung Baden-Wurttemberg, Stuttgart |
| 2000 | Vague but True, Asbaek Gallery, Copenhagen, Denmark touring to Arnolfini, Bristol and Real ArtSpace, Limerick, Ireland and Angel Row Gallery, Nottingham, curated by Catsou Roberts. |